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Planning the Production
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For Greg MacGillivray, the priority in filmmaking whether with IMAX
cameras or otherwise, is irresistible storytelling. As he says:
"What we want to do with our films is what any great motion
picture aspires to: combining fresh locations, fascinating
characters, exciting action all with spectacular, ground-breaking
photography." |
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In order to capture sides of ADVENTURES IN WILD CALIFORNIA
that had never
been seen or experienced before, the filmmakers at MacGillivray
Freeman knew they would have to go to extraordinary extremes,
bringing the burly yet sensitive IMAX camera into situations where
it was never designed to go.
From the very inception of nature photography, the aim was always to
draw the viewer into the action of the frame, but IMAX technology
has taken that impulse to the next interactive level: making the
viewer a part of the action, evoking the feeling that the viewer not
just watching but is among the snowboarders flying down the slopes
or the brave souls freefalling from an airplane. It is such an
astounding technique that filmmakers using the technology are
constantly tempted to use it in new, innovative ways, expanding the
cinematic experiences audiences can have. In ADVENTURES IN WILD CALIFORNIA, Greg
MacGillivray and his team repeatedly took the IMAX camera to
California places it had never been before. The camera went not only
to California's highest, wettest and most remote places - it also
journeyed to the global phenomenon of the Academy Awards and to the
pop culture playground of California's futuristic dreams,
world-famous Disneyland.
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It is one thing to capture California's most daring and dynamic
adventurers with small, hand-held cameras that can easily plunge
down cliffs and fall out of planes - and quite another to do so with
the renowned 70-pound behemoth IMAX camera. As writer/producer Mark
Krenzien explains: "You can pretty much define the production
of ADVENTURES IN WILD CALIFORNIA as putting a big, heavy, awkward camera in
incredible situations where it doesn't really fit in - and doing
amazing things creatively to make that work. The IMAX camera
requires stability and precision - and we were seeking wild
unpredictability. It made for some interesting situations!"
To make sure he had the most unusual, rare and visceral footage,
director Greg MacGillivray, a noted perfectionist, did much of the
shooting himself, but also hired expert cinematographers gifted in
certain environments such as diving, flying, surfing and
snowboarding. "The spectacular visual imagery of the film is
the result of Greg mixing his own incredible expertise with the
expertise of other people he expertly chose," explains Mark
Krenzien. "You end up with cinematography that gets to the very
soul of the activity being performed."
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Krenzien emphasizes the above-and-beyond mentality that ADVENTURES IN WILD CALIFORNIA
team members brought to the production - and he knows
exactly what drove them to such creative and technical
breakthroughs: "I think when crew members realize what an
emotional and immediate impact these images are going to have, it
inspires them to go the edge and get something unique," he
says. "I've never seen a more dedicated and hard-working group
of people who knew that the end results would justify the risks,
obstacles and adventure of trying to get unprecedented shots."
In the end, making ADVENTURES IN WILD CALIFORNIA added a touch of
the wild's unpredictability and joy to the lives of the filmmakers.
"I don't think any of us, whether native Californians or
transplantees, had ever seen the state like this or appreciated more
the riches it has given us - environmentally, spiritually and
culturally," summarizes Mark Krenzien. "We certainly
haven't captured every aspect of California's fascinating
landscapes, but I think we captured the spirit of California in
images that will light up the audience and carry them to unexpected
places. It's an incredibly entertaining way to explore they ways in
which the wild out there impacts the wild ideas and wild feelings we
have inside."
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